Thursday, 28 April 2016

Autumn Cape 2016 A long Term Project Part 4

Autumn Cape 2016  A long Term Project Part 4

Time for an assessment. I have now finished one complete page of A4.


A4 Written Chart 60 Rows





















Since I have only been translating the knit rows this is the equivalent to 60 rows (30 Knit and 30 Purl). I have found the way I have designed the Written Chart with Coloured Numbers a great way to keep track of what colour changes are needed. 

However 1 snag is I found that at times I had more colour changes than boxes and therefore ran out of room to write them down. This means on my next A4 page I must make the boxes smaller to accommodate this.

Coloured Pictorial Chart Design 30 Rows











In the photograph above you can clearly see the point when I began to make the colours bolder. This was a definite improvement to the first section. However I found unless I kept sharpening the pencils the colours tended to run into one another.

In order to combat this on the last few rows I began marking the edges of the colour changes. This made a huge saving in time when I was transferring it to the Written Chart.

Autumn Cape Back  Rows 1 to 60










This is what the Back piece looks like at present. As you can see the pattern is beginning to emerge. One thing that I haven't yet worked out is for some reason I keep losing stitches. I believe this happens when I have added a new piece of wool and because it is not as yet completely fastened it slips out. My solution is to leave slightly longer tails. Hopefully that way if my contention is correct it should solve the problem.

The other result of the loss and re-addition of stitches means that the pattern I transcribed and the pattern I ended up with isn't quite the same. Annoyingly this means that in places I have bits of trunk and bough in the middle of nowhere. A bit of embroidery after it is finished should mask it.


Width of Back Approx 60 cm








With 124 stitches (more or less) it works out roughly 60 cm wide. This includes the selvedge so it will lose a little in the sewing up.

Length of Back Approx 19 cm











The Length is roughly 19 cm. The above ruler is 15 cm. The photo didn't come out to well which I put down to lack of tea! Now I have both length and width measurements I can calculate how the finished back section will look. I also have a better idea of the amount of different coloured wool I will use. Might need another trip to Knit Nottingham.

Autumn Cape Bobble Texture


















One completely unsolicited thing I found was the texture of the knitted piece. With the constant change of colours and consequently the amount of ends I have to sew in it has created an uneven texture.

Frankly this is an unexpected bonus as I think it makes the effect of the leaves more realistic and gives the whole piece a more rustic look.

Next job more colouring in : )










Tuesday, 19 April 2016

Autumn Cape 2016 A long Term Project Part 3

Autumn Cape 2016  A long Term Project Part 3


First of all I would like to add something I omitted from the last blog. As you have read in previous blogs I am quite picky from where I get my wool. I choose to buy from independent retailers when I can.



I would like to point out that my wool shop has recently moved into new and bigger premises a short distance away from where they were originally located. Their new address is 9 Trinity Walk Nottingham NG1 2AN



http://www.knitnottingham.co.uk/



Will they win again. Nominate now! *



http://www.letsknit.co.uk/britishknittingawards/



Phew - now I know I will be allowed in the shop I will carry on where I left off. I had discovered that the way I had been writing my chart for the test piece would not work on the real Cape due to the fact of too many colour changes. Therefore I had to come up with a new idea.



After dolefully looking at my heap of wool I had an inspiration. Instead of putting Ball 1, Ball 2  with the corresponding colours etc why not write the Chart in colour! Now I had the idea I had to try it out.  



Written Cast On Colour Chart 1















Written Cast On Colour Chart 2












Yay it seemed to be working - apart from the fact that my felt tip pens kept deciding to die on me. Since the yellow didn't really show up I went over it in pen to make it easier to see. I apologise for the poor quality of the photographs. I am not much of a photographer but I hope you get the general idea.



At this point I think I better make clear an important point. As I said in my last blog I am uncertain how to transfer the Pattern Design into stocking stitch. So taking this factor into consideration there is a difference between the Pictorial Chart and the Written Chart.



Picture Design














The Design which I drew has been numbered down the side in blocks of 10. 1 square is equal to 1 stitch. Bearing in mind I am making this up as I go along this is what I have in my minds eye. However since I am not sure how to transfer this onto the opposite side I decided to keep it simple and hope.



Every line across the Design is equal to 1 Row in Plain or Knit Stitch. Then on the Purl Row I just repeat the stitches but in the reverse order.



Written Chart Rows 1 to 19













As you can see above I have labelled the Knit Rows from 1 to 19. So Row 1 on the Written Chart is the same as Line 1 on the Picture Design. Row 3 is Line 2 and Row 5 is Line 3. Therefore each Line on the Design equals 1 Row of Knit and 1 Row of Purl.



Why haven't I just put Row 1, 2, 3 etc and included the Purl Rows? Well the answer is easy. It was about 2 o'clock in the morning and I had a headache. I was planning on doing another Written Chart with the even rows on separately after I had done a few rows. 



Unfortunately with felt tips not working and coloured pencils breaking, not to mention rubbing my nose up against the Design to try and make out what colour it was because it was too faint to see I felt that I had enough to cope with.



Also the knitting might be okay but with the amount of balls and loose ends I had all around me the yarn was more like Macramé. Think I am joking? Oh what a tangled web we weave!



Tangled Web Front















Tangled Web Back















The pictures above only show the yarn attached to the knitted piece. What you cannot see is somehow I had managed to weave myself into the Cape as well. I balls on my lap, in front and behind me. I had also sat on yarn and managed to wind some balls around me with the effect of when I stood up it looked like my dressing gown came equipped with giant multicoloured pom-poms!



Having taken some time to extricate myself from the mess I came to the conclusion that there needed to be drastic action taken before I carried on knitting or there would be the possibility that I might never be seen again. Or on the other hand I could possibly be the first woollen wrapped mummy ever to be discovered.



Mulling the problem overnight I decided that I would take the unusual step (for me at any rate) to start sewing in the loose ends from the Cast on then work upwards. The theory being there would be fewer tangles if there were fewer dangling yarns in the first place.



I began sewing, trimming long pieces of yarn (which I kept for sewing up later) and untangling. Talk about a long job. It took me the entire afternoon or putting it another way the DVD of THE MUMMY and its' sequel THE MUMMY RETURNS to get it finished.



Untangled









This was the result. All the ends sewn in and the long ends wrapped into small balls and threaded on to a couple of Bamboo Chopsticks. It was a battle but I had learnt some valuable pointers.



1 If making lots of small colour changes but they are too far apart to stretch across easily - divide one ball of yarn of each colour into smaller ones. You might lose a little bit of yarn but the hours saved untangling are well worth it. In addition to this  slightly longer threads can be used for sewing later.



2 When making a Colour Chart make sure the colours are clearly divided. That way you won't waste time poring over the darn thing (darn thing? unintended pun) trying to work out which colour you are on next.



I am going to work these points into my next go at the Pattern. Once again I am going to take it slowly. I have added another five lines of colour to the Design which equals another 10 rows of knitting.



Colour Design 15 Rows














Hopefully you can see that the colours are far bolder and therefore more distinct. It should make it much easier, not to mention quicker to transfer to the Written Chart. Which since it is now about 1.55 am I intend to leave to a more conducive hour.



* Yes they did!

Tuesday, 12 April 2016

Autumn Cape 2016 A long Term Project Part 2

 Autumn Cape 2016  A long Term Project Part 2

In the first post I covered how I began designing the Cape and made a prototype. Now I have finally managed to make a start on the Autumn Cape project using the real yarn which is mostly 100% Pure Wool.

A quick reminder of how the draft drawing concept looked.

Draft Picture














I found when looking at the finished piece that I was going to have to seriously rework both the Pattern Design and the written Chart. The Chart needed rewriting as the knitted piece was too big and I didn't like the symmetrical look.

Therefore I needed to take what I had already done and then make adjustments. First I wanted to see how much the back piece need to lose. Previously I had cast on 175 stitches on a 5 mm circular needle. I decided to keep the needle size the same and merely reduce the amount of stitches.

I reduced the cast on to 120 stitches plus 2 either side of the piece to add a selvedge. This meant 124 stitches in total. Once I had decided on the amount of stitches I could redesign the Pattern concept.

First stage was to redraw the Basic Pattern Design. I made the choice to draw the outline on Chart or graph paper rather than plain. That way I could account for each stitch as I drew the Design.


New Pattern Design 1
















I redrew the initial new outline and coloured the trunk of the tree in a reddish brown (should have been dark brown but I picked the wrong colour due to bad lighting).  I was intended to draw the Design in sections rather than from top to bottom. This way I would have more control over its development. 

Therefore if you compare the New Pattern Design with the original one at the top of the page you will find that only the top half of the tree has been designed so far. The Pattern shows the first 80 rows.

However the drawing had a curved outline. In order to make it suitable for translating into a stitch I could use in the Pattern I squared off the Design.

New Pattern Design 2

 New Pattern Design 3

 New Pattern Design 4













Once this had been done I began to add the background colour. Rather than have huge blocks of colour I added small amounts. I knew this would greatly increase the difficulty of what I was trying to do but hey nothing ventured nothing gained!

New Pattern Design 5












As you can see I have only coloured in the first 10 rows of the Design. This is deliberate as I want to see how the Design develops once knitted.  My next step was to transfer the Pattern Design into a working written Chart otherwise I would forever be trying to count the coloured squares.

I started to transfer the pictured data into a written Chart using the system I had devised for the Test Piece described in the Autumn Cape 2016  A long Term Project Part 1.

Written Chart 1










Written Chart 2












Written Chart 3










I got as far as Row 3 when I discovered a major problem. Unlike the previous Pattern where there was a finite number of balls of yarn this Design being more realistic had far more yarn changes and for fewer stitches at a time. 

So yet again I had to go back to the drawing  board and come up with a new system of Charting the Design into a written form that I could follow.

Sometimes the best way to find a solution is to step back from the problem. Therefore I thought I would have a look at what I had to work with and maybe an idea would formulate.

Equipment
As previously stated I had based the Design using a 5 mm Circular needle. I also had a variety of types of yarn - mainly 100% Wool in a selection of colours. I decided to get them out and take a look.


Yarn 9 Full Balls 50g

Yarn 13 Full Balls Mixed Weight Discontinued Lines





















I selected the balls I was intending to use for the Casting On and put them in the order that was shown on the Chart.

Balls in order for the Cast On.













I then proceeded to Cast On 124 Stitches in the following order

Copper (Orange) 10
Dark Brown 15
Red Berry 20
Gold 4 (Yellow)
Copper(Orange) 3
Red Berry 16
Copper (Orange) 4
Gold 6 (Yellow)
Red Berry 6
Dark Brown 16
Copper (Orange) 24

Cast On 124 Stitches

















The Cast On would reverse the Pattern so I then knitted a single row to correct it making sure that I secured the change of colour by wrapping around the previous yarn.

The next step was to untangle all the balls. If anybody has a good idea how to stop them ravelling up like Spaghetti Junction I would much appreciate it.

Untangled











After I had untangled them all I sat looking at them and the Chart I had an inspiration. Wait for my next blog to see if it worked!